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The Fox Report
Barry Fox’s technology column
The UK’s TV Future: Linear, Digital or Just Confused?
T
his year’s DTG (Digital
Television Group) Summit
was billed as “TV: The Bigger
Picture 2025, a pivotal gathering at a
defining moment for our industry.”
To talk about the future of TV, we first
need to learn a whole new language.
“Generation Z” includes anyone born
between 1997 and 2012. Gen Z grew
up accessing the internet and using
smartphones.
They are used to being able to access
content of all kinds – information,
music, podcasts, news and opinion,
how-to-do-things video clips and commercial movies – from the Internet for
near-instant access.
A few years ago, the annual conferences held by the UK’s Digital Television Group (DTG) were about new
developments in live over-the-air TV,
bigger and flatter screen displays,
time-shifting with recorders and all the
electronics nuts and bolts that made
it all possible.
In contrast, newer conferences are
mostly about new-wave ‘digital broadcasting’. This is mainly about ways of
grabbing viewers’ eyeballs for more
than a few seconds and earning revenue
from successful grabbing.
Channel 4, the UK’s commercially funded public station, recently
switched bosses. There are no surprises then when newly appointed
chief commercial officer (CCO) Rak
Patel came from Spotify with the remit
“to accelerate the network’s commercial growth” and manage a “seamless
transition from linear to digital while
maximising advertising revenue”.
Speaking at the DTG event, Patel
said that C4 aims to become the first
‘digital’ public service provider, and
by 2030, will be earning 50% of its
revenue from digital.
Because C4 is a public service broadcaster, it will be answerable to Ofcom
(on issues such as honesty, accuracy
and decency), which Internet streaming
services are not. The same strictures
should also affect Channel 5 broadcasting and My5 streaming, which have
now relaunched as “5”, a single service
that unites the linear and streaming/
digital platforms.
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Patel was vague on what actual
changes C4 would make to achieve
his goals, but within days of the DTG
event, Channel 4 had announced that
the broadcaster’s video content would
be made available on Spotify. Presumably, the deal had not been signed
before Patel spoke.
Arguably, the most important technical development and the enabling lynch
pin to the fusion of linear (traditional)
and digital ‘broadcasting’ is the service
and system called Freely. The company
behind Freely is Everyone TV (formerly
Digital UK), which is backed by all the
UK’s public service broadcasters: the
BBC, ITV, Channel 4 and Channel 5.
Freely describes itself as “the newest
and most exciting way to do free TV”,
but was present only in the conference
foyer to celebrate its first birthday with
balloons and cup-cakes.
If ever there were a vitally important
new development that cried out for a
clear message, it is Freely; but in stark
contrast to the wonderful job done by
Digital UK in handling the big switch
between analog and digital TV, Everyone TV just isn’t messaging clearly.
The company’s publicity remains
a confusion of marketing hyperbole,
with no clear and simple explanation
of what Freely actually does and how
it does it. Freely’s Front of House PR
seems out of their depth on anything
technical, with answers to basic questions reading as if they come from a
sanitised hymn sheet. So facts on Freely
are surprisingly hard to come by.
The TV set-makers signed up with
Freely are wary of talking to the press.
This is very different from the way
Digital TV operated. There must be
skilled people inside Everyone/Freely
who could talk clearly, but they are
well hidden and probably have no
idea what it is like for the outside
world to show serious interest in the
Freely solution.
The irony is that the problem that
Freely solves is self-evident to anyone with an existing Smart TV. For
example, TV station Talk TV moved
from Freeview broadcast to Internet
distribution but still has a Freeview
channel slot (280).
A Freeview Smart TV finds Talk TV
as a TV channel and then has to switch
itself from digital terrestrial reception
to online app access. This can take
painful minutes of dark screens, loading messages and pre-recorded video
clips and audio jingles, and sometimes
an unexplained failure to connect.
What emerges from the Freely PR fog
is that Freely uses a new program listing system which seamlessly combines
off-air broadcast stations with online
station sites. A new generation of Freely
capable TV sets uses the Freely listings to let viewers surf for programs
regardless of whether they arrive over
the air or down a line.
As far as I can understand from
Freely’s publicity mush, a Freely TV
can perform its magic when receiving
programs from a combination of Freeview digital terrestrial from an aerial
and the Internet, or from the Internet
alone. The Internet connection can be
either by Wi-Fi or Ethernet. But Freely
does not work with Freesat satellite TV.
I asked Freely to confirm or correct
this simple factual understanding.
What I got back was a dollop of marketing speak:
All you need is Wi-Fi for a Freely TV
to be able to access all your favourite
shows live and on demand, all in one
place. No need for a dish or aerial.
Those who choose to connect their
TV via a hybrid Wi-Fi and DTT connection will also receive additional live
Freeview channels delivered over DTT,
alongside all the benefits of the Wi-Fi
connection seamlessly integrating live
and on demand shows.
Freely is not a satellite product.
Everyone TV offers a TV platform for
every household however they choose
to connect with Freely (Wi-Fi), Freeview
(DTT), and Freesat (satellite).
This unclear response even manages
to confuse and contradict on the simple
matter of satellite reception.
From my own hands-on experience,
I can confirm that self-switching from
off-air reception to online stream does
not work on an LG Smart TV with
Freesat free-to-air satellite reception.
So, it’s highly likely that Freely does
not work with Freesat.
Practical Electronics | August | 2025
The Fox Report
Barry Fox’s technology column
This matters because, in some parts
of the UK (notably West Sussex), interference from foreign stations that are
using the same or similar terrestrial
frequencies to the UK transmitters
completely swamps Freeview when
the weather is warm and good for
long-distance reception. Freesat is
then the only free way to receive offair ‘linear’ TV.
Freesat has already dropped its
previously very valuable feature of
letting viewers use a phone app to
program a Freesat recorder remotely.
For instance, to record a TV program
while sitting in the pub.
The writing on the wall tells me that
Freesat is on the way out. Much as the
wall-writing tells that we’re unlikely
to get any clear answers from the ‘front
of house’ PR people at Freely.
This was borne out at the DTG foyer
display, where Freely was promising
useful new features such as:
• Backwards TV Guide, where the
viewer can easily scroll back to a
program broadcast in the last week
and either immediately start streaming it or add it to My List.
• Never Miss, which highlights the
most popular shows which are either
just missed or just coming up.
• My List, the option to save links to
up to 50 personal favourite shows
All this sounds good for viewers.
But viewers can only benefit by junking their existing TV set and buying
a new one with Freely hardware and
software locked inside. The obvious
way around this is to offer a dongle
like the Amazon Fire Stick, which
connects to an existing TV by HDMI
port and accesses the Internet by
Wi-Fi.
At last year’s DTG event, Freely representatives were talking about dongles
in the future, but at this year’s event,
they seemed to have forgotten this.
“What’s a dongle?”, replied one of
Freely’s FOH people advisers on the
Freely display when I asked what
progress had been made on letting
viewers up-date old TVs. His colleague
then came to the rescue, thinking that
a dongle was “something that connects
with USB”. (No, in this case, it connects
with HDMI). The cotton-wool reply
that Freely gave me when I followed
through after the event is that:
Practical Electronics | August | 2025
Freely is currently focused on partnering with smart TVs, and in its first
year has partnered with half of the
UK TV market. Everyone TV, with
Freeview and Freesat, has experience
of launching devices such as set-top
boxes. For Freely, we are continually
exploring new features, new partners
and availability, all part of our roadmap to continue to grow and enhance
the viewer experience. Freely have
not announced anything on devices
outside of smart TVs.
The absence of a Freely capable
Amazon Stick can’t be because of
technical issues; Freely is already
built into Amazon Fire TVs. Reading between the lines of the official
Freely hymn sheet, it’s likely that
the TV manufacturers see Freely as a
great new way to sell new TV sets to
people who are perfectly happy with
their existing and often near-new sets.
It suits Freely to help them by doing no dongle deals – much as the
IT industry sees Microsoft’s policy
of obsoleting whole rafts of perfectly
good Windows 10 PCs as a great new
way to sell new computers. Of course,
this is terrible for consumers.
But significantly, just days after
the DTH event, Tim Davie, the BBC’s
Director General, gave a speech to the
Royal Television Society that clearly
endorsed the idea of bolt-on devices
such as dongles that would add Freely
to existing TVs. It would surely be in
the interests of all the broadcasters
backing Freely to kick Freely into gear
on dongles.
Several speakers at the DTG Summit referred, inevitably, to AI. One
area where it is seen as a way to grow
audiences and increase revenue is in
helping viewers cut through the jungle
of different programs on offer through
an ever-increasing number of sites,
service and channels. AI would learn
more about viewers’ likes and dislikes
than they do themselves.
This is unlikely to upset anyone,
because it is what Tivo pioneered
decades ago.
But another use for AI is more contentious. This was mentioned by Fiona
Campbell, Controller, Youth Audience at BBC iPlayer and BBC Three,
but only in passing. Experiments are
under way on training AI to ‘watch’
a football match and create a spoken
commentary on the fly.
The DTG’s conferences have always
been notable for the excellence of the
live subtitling provided for deaf members of the audience, often representing
deaf-care bodies and services. In the
past, the subtitling has been provided
by court reporters, trained to type
what’s said by lawyers, judges and
witnesses at real-time speed.
The DTG had found that automatic
captioning can give frustratingly bad
results. You can see this for yourself by
switching on hard-of-hearing subtitles
while watching a movie auto-captioned
by YouTube’s basic system.
The old film noir ‘Framed’ with
Glenn Ford is a good example. Music
is captioned as ‘applause’ and the
displayed dialogue text often bears
only passing resemblance to the actors’ spoken words and lines of text
appear in the wrong order (see https://
youtu.be/PoTInQtfEEs). For example,
we have seen these automatic subtitles
convert the video game title “Doom
Eternal” into “due maternal”!
The DTG has now partnered with
Australian company AI-Media (www.
ai-media.tv) to prove that AI subtitling
is now a viable alternative to court
reporting. The captions come up live,
almost immediately and with next to
no mistakes.
Said a spokeswoman for the company, “The solution we provided
for the DTG event was our LEXI AI
captioning. This was combined with
our LEXI Viewer display”.
The LEXI system is pre-trained with
a ‘Topic Model’, which is essentially a
library of technical words and specialist phrases that speakers are likely to
use. The system was first used at the
2024 DTG Summit, and independent
accuracy tests showed an average accuracy rate of 99.2% NER (Number,
Edition error and Recognition error
rate).
A rate of 100% would mean no
mistakes made. I shudder to think
what the NER is for YouTube movies.
Anyone in search of more detail of
the system used can read a full study
and case history on AI-Media’s website:
https://www.ai-media.tv/wp-content/
uploads/AI_Media_Case_Study_ DTGPE
Summit _FINAL-14.06.24.pdf
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