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Power Amplifier
Clipping Indicator
Ensure your loudspeakers are protected from being overdriven and possibly damaged
or destroyed by building this Power Amplifier Clipping Indicator. Not only does it show
when an amplifier clips (however briefly), it can also reduce the signal level applied to the
amplifier to limit subsequent clipping, protecting the speakers.
By John Clarke
A
mplifier clipping occurs when the
output flat-tops because it cannot
increase the output voltage any further
due to power supply limitations. This
means that the amplifier has reached
its limit to deliver power to the loudspeakers. It also means the sound
becomes vastly distorted, leading to
the sound quality suffering. If clipping
is allowed to continue, loudspeakers
can be damaged or destroyed.
With suitable volume levels, the
amplifier reproduces the audio signal faithfully. But if the amplifier is
turned up too much and clipping starts
to occur, you get a compressed signal
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Silicon Chip
that causes the overall power delivered to the loudspeakers to be greatly
increased, causing them to overheat
and burn out.
Woofers and, to some extent, midrange drivers are less prone to damage
than tweeters. This is because they
utilise more robust and larger diameter wire in their voice coils than their
tweeter counterparts. The tweeter is
more delicate, using a thinner, smaller
and lighter voice coil so it can move
quickly to reproduce higher frequencies.
When loudspeakers are overdriven,
the voice coil windings can burn out
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or the voice coils can soften and permanently distort. Continued excessive
overdrive can result in the loudspeaker
catching fire and/or fusing.
If you want to explore more about
loudspeaker damage due to amplifier
overloading, see www.sound-au.com/
tweeters.htm and www.sound-au.
com/clipping.htm
We have previously published three
Power Amplifier Clipping Indicator
projects, one as a full project and two
Circuit Notebook entries. These all
detect clipping based on whether signal level peaks approach a fixed voltage difference from the amplifier’s
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Features & Specifications
Detects genuine signal clipping and
gross distortion
Doesn’t require opening up the amplifier
Optional automatic signal reduction at
clipping
Separate left and right channel clipping
indicator LEDs
Momentary clipping is shown on LEDs
with a minimum 50ms duration
Suitable for inverting, non-inverting and
bridge-tied amplifiers
Uses commonly available components
Easy to solder
Power supply requirement: 15-24V DC
at 200mA
supply rails. Typically, this was set at
somewhere around 4.7-6.2V less than
the supply rails.
This level is not necessarily the
point of clipping. It depends on the
type of driver devices used in the
amplifier (whether Mosfets or transistors), the driver device’s temperature, and the loudspeaker impedance.
Additionally, to install such a power
amplifier clipping indicator requires
access to the inside of the amplifier to
tap into the power supply rails.
This new Clipping Indicator is
designed to detect when the amplifier
is actually clipping. Only externally
available amplifier connections need
to be accessed: the input sockets and
the speaker outputs.
How it works
The Clipping Detector works by
comparing the signal applied to
the amplifier with the output from
the amplifier. If the amplifier is not
clipping, the two signals should be
identical in shape, only differing in
voltage magnitude. We compare the
signals after reducing the amplifier
output level so it matches that of
the input. That way, any differences
between the two waveform shapes
can be detected.
A summing amplifier compares the
two signals. Typically, the input and
output signals of an amplifier will be
in phase. So when the input goes positive, the output also goes positive.
If we invert the amplifier output
signal and then sum the two signals,
they should cancel out. If there are any
differences, such as phase changes or
clipping, the summing amplifier (or
‘adder’) will produce an output that
becomes a difference or error signal.
We simulated this in LTspice, as
shown in Fig.1. The blue trace is the
amplifier input, the red trace is the
attenuated and inverted amplifier output, while the green trace is the adder
output. We have clipped the positive
output of the amplifier output a little
at the peak of the positive excursion
to show how the adder responds to a
signal difference.
There is a rise in the adder signal
level when the two waveforms differ.
When the two signals are the same
except for being inverted (as shown
for the negative excursion), the adder
output remains close to 0V.
We use the adder output to gauge
the amount of difference between the
two signals. A window comparator
detects when the adder produces a
large enough difference signal to trigger the clipping indication.
To verify this, Scope 1 shows the
amplifier output waveform (yellow
trace) at the point of clipping at 104V
peak-to-peak. The lower cyan trace
shows the output from the summing
amplifier, IC2c. The summing amplifier begins to produce a difference signal at the point of clipping on the output waveform.
Fig.1: a SPICE simulation of a summing amplifier fed with the inverted input
and non-inverted output signals of an amplifier just starting to clip. The output
of this ‘adder’ only varies from zero during clipping.
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Australia's electronics magazine
The clipping is asymmetrical, meaning that the degree of clipping in the
positive portion of the waveform is
greater than in the negative half. This
is due to the differences in the power
amplifier output transistors used for
the positive and negative output drive.
Block diagram
The block diagram, Fig.2, shows the
main sections of the Clipping Indicator. We will describe the sections
briefly since there is more detail in
the circuit description. The diagram
shows the left channel only, and
we’ll explain just that channel; the
right channel designators are shown
in brackets.
The signal input at CON1 is from
a signal source such as a CD player
or preamplifier output. This signal is
buffered by IC1a and goes through a
high-pass filter to remove signals well
below the audible range (sub-20Hz).
Following this is the variable attenuator. This acts to reduce the signal level should extended clipping
occur. It uses a light-dependent resistor (LDR1) and LED2. The LDR forms
a voltage divider with a fixed resistor,
providing more attenuation when the
LED light intensity increases.
Normally, without any light from
the LED, the LDR has a very high
impedance, so there is minimal attenuation. Thus, this section has no effect
on the signal except when the amplifier is driving into clipping. Another
buffer follows (IC1d) before the signal is applied to the power amplifier
input via CON3.
The output from buffer IC1d also
goes to two phase-adjustment filters,
one for the high-frequency end of the
audio spectrum and the other for the
low-frequency end of the audio spectrum. These are adjusted to match the
phase shifts that occur in the power
Scope 1: the amplifier output
waveform (yellow) and output from
the summing amplifier IC2c (cyan).
May 2026 31
amplifier at the lower and upper frequency extremes.
These are inherent to most audio
amplifiers due to capacitors in
the power amplifier causing low-
frequency roll-off where the input and
feedback signals are AC-coupled, and
high-frequency roll-off due to the compensation capacitor used to ensure the
power amplifier’s stability and possibly other RF/noise filters.
We need our clipping detection signal path to have the same phase shift
characteristic as the amplifier so we
can compare the two signals. Otherwise, they will be different even if
there is no clipping, possibly causing
false triggering.
The output from the phase adjustment filters is applied to the summing
amplifier input.
The power amplifier output connects to either the CON5 non-inverting
or inverting amplifier input. Most
power amplifiers are non-inverting,
so the non-inverting input is typically used.
The inverting input is mainly
included so that you can use this
device with a bridge-tied load (BTL)
amplifier, where there are two amplifiers driving the loudspeaker with
one producing an inverted signal
compared to the other. Having the
two input options allows for both
amplifier outputs to be monitored for
BTL amplifiers.
The signal level from CON5 is controlled using trimpot VR4 or VR5, or
both in the case of a BTL amplifier.
The signals are buffered following
the attenuators, and in the case of the
non-inverting amplifier signal, it is
inverted by another op amp, ready for
comparison in the summing amplifier
using IC2c.
IC2c is the summing amplifier
described previously, and the resulting summed signal is monitored by a
window comparator (IC3). Normally,
this signal level will sit close to 0V
when there is no clipping. When the
summing signal reaches a set level
(beyond ±1.25V), the window comparator triggers timer IC4.
IC4 provides a 50ms minimum
output to drive the clipping LED via
transistor driver Q2, ensuring that the
flash is visible even for very brief clipping events. This driver also provides
a fast attack and slow decay voltage
that drives LED2 via transistor Q3.
This reduces the resistance of LDR1,
attenuating the signal that ultimately is
applied to the power amplifier input.
Circuit details
The full circuit is shown in Fig.3. It
comprises four quad op amp ICs and
three single op amp ICs for a total of
Fig.2: the Clipping Indicator is connected between the preamp (CON1/
CON2) and power amplifier (CON3/CON4). A current-controlled attenuator
can reduce the signal going to the amplifier when clipping is detected. After
phase adjustments, the input signal is fed to the adder, along with the amplifier
signal(s). Its output goes to a window comparator that detects clipping, then a
pulse-stretching timer to drive the LEDs.
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Silicon Chip
Australia's electronics magazine
19 op amps, plus three 555 timers and
two dual comparators, along with two
reed relays and associated diodes, a
regulator, resistors and capacitors.
Three indicator LEDs indicate clipping in each channel and show when
the power is on.
As with the block diagram, only the
left channel is shown, with the right
channel being identical; its alternative designators are shown in brackets. Some op amps provide buffering,
some active filtering, while another
(IC12) provides a low-impedance half
supply.
Looking at the audio signal circuitry
first, through the circuit the signal
common is set at half supply (Vcc/2)
so it can swing symmetrically between
GND and the 15-24V DC supply rail.
This means it can run from a standard
DC plugpack without needing a supply voltage inverter section.
The signal comes in at the CON1
RCA socket and is biased to ground
by a 100kW resistor. This discharges
any AC-coupling capacitor that could
be in the signal source. A 150W series
resistor acts as an RF stopper to prevent radio signals entering the first
buffer op amp.
Following this, the signal is AC-
coupled via a 10μF capacitor to the
non-inverting input of IC1a. This
input is biased to the half supply via
a 100kW resistor.
A 13Hz high-pass filter rolls off very
low frequency components of the signal at 40dB/decade; it is 6dB down at
13Hz. The reason we set this roll-off
at 13Hz is so the signal is only 3dB
down at the lowest audible threshold at 20Hz.
Following the filter is the current-
controlled attenuator. This comprises
a 10kW series resistor in conjunction
with LDR1 and trimpot VR2 shunting some signal to the Vcc/2 reference
point. Normally, the LDR is in complete darkness and its resistance is
around 0.5MW (500kW). In this condition, it produces negligible signal
attenuation until clipping is detected.
IC1d acts as a buffer for the attenuator. At IC1d’s output, the signal
is diverted two ways. One is to the
output to the amplifier. This is AC-
coupled to the relay contact and the
100kW resistor in conjunction with the
10μF capacitor sets the output signal
to swing about ground (0V). In other
words, the 10μF capacitor removes the
Vcc/2 DC bias voltage from the signal.
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Fig.3: the full circuit with only the left channel shown – the right channel components are identical and
their designators are shown in brackets. The sections that are common to both channels are the half-supply rail generator,
power supply (including REG1), on-delay and off-delay sections.
Following the relay contact, the signal is sent to the RCA socket (CON3)
via a 150W resistor. This provides a
small series impedance for the op
amp so it won’t oscillate when there
is a capacitive load connected, such
as screened audio cable.
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The second signal path from IC1d
is to the high-frequency phase adjustment circuit. This is a low-pass filter comprising a series 4.7kW resistor, 100kW trimpot (VR2) and a 22pF
capacitor. It produces an overall
high-frequency roll-off that has an
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adjustable -3dB point from 4.6kHz to
102kHz. It is used to match the phase
shift within the power amplifier at
higher frequencies.
IC1b buffers the signal from this filter. Following this is the low-frequency
phase adjustment circuit. It comprises
May 2026 33
The board is designed to fit into a UB2 Jiffy
box although it also can be incorporated into
other equipment, such as a power amplifier.
a high-pass filter using a 1μF
capacitor and 100kW trimpot in
series with a 4.7kW resistor. The
range of adjustment for the -3dB point
is from 1.6Hz to 34Hz. This allows it
to match the power amplifier output
phase at low frequencies.
IC5 buffers the output of this filter
and its output is applied to the summing amplifier (IC2c) via a 10kW mixing resistor.
Power amplifier monitoring
The power amplifier’s output(s) is/
are connected via CON5 (as well as
going to the loudspeaker[s]). There are
two inputs. One is the non-inverting
amplifier input, while the other is the
inverting amplifier input. Most amplifiers are non-inverting, so that input is
the most likely the one to use. If you
have an inverting power amplifier,
simply use the inverting input instead.
If your amplifier has a bridge-mode
output, where neither terminal is connected to ground but both are actively
driven in anti-phase, connect both outputs to the two inputs. In this case, a
couple of the summing amplifier resistor mixing values will need changing
– more on that later.
Trimpots VR4 and VR5 are used
to set the signal levels for the non-
inverted amplifier input and inverted
amplifier input, respectively. These
are set to match the signal level that is
applied to the amplifier input. If one of
the inputs is not used, the attenuation
is set to maximum to minimise noise.
The signal for each input is AC-
coupled to buffers IC2a and IC2d. The
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inverted amplifier signal is applied to the adder via a
10kW resistor, while the non-inverted
signal is inverted using the IC2b unity-
gain inverter first.
We invert the non-inverting power
amplifier output and don’t invert the
inverting power amplifier output so
that when the power amplifier input
and output signals are summed, the
output will be zero. That’s because
we are adding two waveforms that are
180° out of phase.
The adder sums the signals from
the IC5 output and the IC2b and IC2d
outputs. When these signals sum to
zero, the adder output sits at Vcc/2.
Should any of the signals applied to
the adder cause a difference output,
once that reaches a sufficient level, it
will be detected in the following window comparator.
Window comparator
IC3, a dual LM393 comparator, is
connected as a window comparator
detecting excursions 1.25V above and
1.25V below the Vcc/2 voltage. The
470W resistor and 1MW feedback resistors add hysteresis so the comparator
output does not oscillate when signal
at the inverting input (pin 2) of IC3a is
close to the +1.25V reference.
Resistors of the same values for IC3b
prevent this comparator from oscillating if the input at pin 5 via the 470W
resistor is close to -1.25V.
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IC3a and IC3b
have open-collector outputs, so they
can be connected together. These outputs are pulled high via a 10kW resistor to the 12V supply. They remain
high if the voltage from the adder
remains within ±1.25V of Vcc/2. This
is because the inverting input of IC3a
is lower than Vcc/2 + 1.25V at the non-
inverting input, and the non-inverting
input of IC3b is higher than Vcc/2 –
1.25V at its inverting input.
If the adder output goes above 1.25V,
the IC3a output will go low (near 0V);
if it goes below -1.25V, IC3b’s output
will go low.
In either case, this pulls trigger pin
2 of 555 timer IC4 low, and its pin 3
output goes high. The low voltage at
pin 2 also pulls the base of transistor
Q1 low, preventing the 1μF capacitor
at pin 6 of IC4 from charging via the
47kW resistor.
When the comparator outputs go
high again, Q1 switches off and the
1μF capacitor can charge. When this
voltage reaches 2/3 of the 12V supply
(about 8V), the threshold input at pin
6 detects this, and the pin 3 output
and pin 7 discharge output go low.
The 1μF capacitor is discharged via
the 100W resistor at pin 7.
The output remains low for some
50ms after the pin 2 input is taken
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high, extending the clipping indication by 50ms. This allows very short
time periods from the comparator to be
seen by the user by lighting the LED for
long enough to make it visible.
While the pin 2 input of IC4 is
pulled high via the 10kW resistor to
12V, it does not reach 12V because
transistor Q1’s base-collector junction breaks down like a zener diode
at about -5V. So the maximum voltage
at pin 2 is about 5V. This is more than
sufficient voltage to allow trigger operation at pin 2, since the trigger voltage
needs to go below 1/3 of the 12V supply
(about 4V) to be triggered.
When pin 3 is high, it drives transistor Q2 via a 2.2kW resistor, which
in turn drives the Clipping Indicator
LED (LED1) with its current limited by
an 820W resistor from the 12V supply.
The high level at pin 3 also begins
to charge the 10μF capacitor at Q3’s
base via the 10kW resistor, diode D1
and the 100kW resistor. The emitter of
Q3 follows the base voltage but 0.7V
below the base, and this drives LED2
via an 820W resistor. The longer pin 3
of IC4 is high, the higher the voltage
at the emitter of Q3.
This means LED2 is driven with
a varying current depending on the
charge at the 10μF capacitor. When pin
3 of IC4 goes low, the 10μF capacitor
at Q3’s base discharges via the 100kW
resistor over about one second.
When lit, LED2 lowers the resistance of LDR1 at pin 12 of IC1d, so the
audio signal is reduced via the voltage
divider comprising the 10kW resistor, LDR1 and VR1 to the Vcc/2 reference. VR1 is adjusted for the required
amount of attenuation to reduce signal
clipping but not so that the signal level
drops unnecessarily low.
Power supply
Power is from a DC plugpack ranging from 15V to 24V. There is no
power switch; an inline switch can
be used at the DC plugpack output if
required, instead of controlling power
via the same mains outlet as the power
amplifier. Diode D5 provides reverse-
polarity protection. The supply at its
cathode is labelled as Vcc and is typically about 0.7V below the DC input
supply voltage.
The Vcc/2 supply is derived using
two 10kW resistors across this rail,
feeding pin 3 of IC12 and bypassed
with a 100μF capacitor to ground. IC12
is connected as a unity gain amplifier to
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Parts List – Power Amplifier Clipping Indicator
1 double-sided, plated-through PCB coded 01104261, 185.5 × 101.5mm
2 white right-angle PCB-mount RCA sockets (CON1, CON3)
[Altronics P0147A]
2 red right-angle PCB-mount RCA sockets (CON2, CON4) [Altronics P0144A]
2 3-way PCB-mount screw terminals, 5.08mm spacing (CON5, CON6)
2 2-way PCB-mount screw terminals, 5.08mm spacing (CON7, CON8)
1 PCB-mount DC socket (CON9) [Altronics P0621A, Jaycar PS0520]
2 12V DC coil PCB-mount reed relays (RLY1, RLY2)
[Altronics S4101/S4101A, Jaycar SY4032]
2 500kW/2-10kW LDRs (LDR1, LDR2) [Altronics Z1621A, Jaycar RD3485]
6 100kW miniature top-adjust trimpots (VR1-VR3, VR6-VR8)
4 5kW miniature top-adjust trimpots (VR4, VR5, VR9, VR10)
4 14-pin DIL IC sockets
8 8-pin DIL IC sockets
1 50mm length of black 6mm heatshrink tubing
1 strip of Blu-tack or similar non-drying putty
Optional case mounting parts
1 197 × 112 × 63mm UB2 box [Altronics H0152/H0202, Jaycar HB6012]
4 25mm M3-tapped standoffs
8 M3 × 6mm machine screws
4 cable glands to suit 3-6mm cable
Semiconductors
4 TL074 quad JFET-input op amps, DIP-14 (IC1, IC2, IC6, IC7)
3 TL071 single JFET-input op amps, DIP-8 (IC5, IC10, IC12)
2 LM393 dual single-supply comparators, DIP-8 (IC3, IC8)
3 555 timers (not CMOS types), DIP-8 (IC4, IC9, IC11)
1 7812 12V 1A linear regulator, TO-220 (REG1)
1 LM336-2.5 2.5V reference, TO-92 (REF1)
5 BC337 45V 0.8A NPN transistors, TO-92 (Q2, Q3, Q5-Q7)
2 BC327 45V 0.8A PNP transistors, TO-92 (Q1, Q4)
4 1N4148 75V 200mA signal diodes, DO-35 (D1-D4)
1 1N4004 400V 1A diode, DO-41 (D5)
5 5mm high-intensity red LEDs (LED1-LED5)
Capacitors (all 16V radial electrolytic unless noted)
1 470μF 25V
5 100μF
SC7649 Kit ($95 + postage)
3 47μF 25V
Includes the PCB and all onboard
1 22μF
parts. The case and power supply
1 10μF 25V
are not included.
10 10μF
2 1μF
2 1μF non-polarised electrolytic
4 220nF 63/100V MKT polyester
13 100nF 63/100V MKT polyester
2 22pF 50V NP0/C0G ceramic
Resistors (all ¼W ±1% axial)
4 1MW
4 22kW
5 820W
1 470kW
18 10kW
4 470W
17 100kW
5 4.7kW
4 150W
4 56kW
2 2.2kW
2 100W
2 47kW
4 1kW
2 10W
4 20kW (only for use with bridge-tied load amplifiers)
Australia's electronics magazine
May 2026 35
buffer this half-supply rail so that loading on that rail doesn’t affect the voltage much. In other words, IC12’s output provides a low impedance source
for the components fed from this rail.
We use REF1, a 2.5V reference, to
provide the Vcc/2 + 1.25V and Vcc/2
– 1.25V reference voltages for the window comparator. So if Vcc/2 is 7.5V,
the resulting reference voltages will
be 8.75V and 6.25V.
REF1 is supplied current via a 1kW
resistor from Vcc to the plus (+) terminal of REF1 and another 1kW resistor
from the negative terminal to ground.
The resulting 2.5V (actually 2.490V)
reference is across the Vcc/2 supply
using two more 1kW resistors to ensure
it’s centred on Vcc/2. There are 100nF
bypass capacitors for the Vcc/2 + 1.25V
and Vcc/2 – 1.25V rails.
The Vcc supply is bypassed with a
470μF capacitor and feeds the input of
a 12V regulator (REG1) that supplies
12V to the 555 timers and relays.
IC11 is a 555 timer that is used to
switch on the audio outputs about 10s
after power is switched on. This prevents large voltage excursions in the
audio signal by waiting to connect the
signal until all the voltage levels have
stabilised.
IC11 is connected as a monostable
timer. At power-on, the discharged
22μF capacitor at pin 2 triggers the
555 so that the pin 3 output goes high
(12V) and so the bottom connection of
each relay coil is at 12V. At the same
time, transistor Q7 is switched on due
to its base being supplied with current
from the Vcc supply.
There is 12V at each end of the relay
coil contacts, so the relays remain off.
This keeps the relay contacts open
and prevents any signal at the audio
outputs.
After about 10s, the 22μF capacitor
charges to about 8V and the threshold
input of IC11 detects this as being over
2/3 of its supply voltage and takes its
pin 3 output low. This energises the
relay coils, closing the relay contacts
and allowing audio signals to pass.
At switch-off, the 4.7kW resistor supplying current to the base of Q7 does
not have voltage, so Q7 switches off
due to the 100kW pulldown resistor.
That removes power from the relay
coils. Diode D4 clamps the back-EMF
produced by the coils, preventing
damage to transistor Q7 from an excessive voltage transient across the collector and emitter.
Construction
The Power Amplifier Clipping Indicator is built using a double-sided,
plated-through PCB coded 01104261.
It measures 185.5 × 101.5mm. You
can install the assembled PCB within
existing equipment, or it can be fitted
into a UB2-size plastic utility box that
measures 197 × 112 × 63mm.
Follow the overlay diagram, Fig.4,
first by installing the resistors and five
diodes. Check the value of each resistor before installation by checking its
colour code and/or measuring with a
multimeter (the latter is less prone to
errors due to similar colours). Make
sure all the diodes are orientated with
their cathode strips as per Fig.4.
There are four 10kW resistors below
IC2 and IC7 that are marked with an
asterisk. These all need to be changed
to 20kW after setup if you are applying signal to both the inverting and
non-inverting amplifier inputs, such
as when connecting to a BTL amplifier. So you may wish to install these
10kW resistors above the PCB surface
to make them easier to remove later.
We recommend using 10kW first
since setting up is easier if each input
is connected independently and
adjusted for level initially. They can
then be changed to 20kW.
Next, install the sockets for the ICs,
taking care to orientate them with
the notches all towards the top of the
PCB as shown. The two relays can be
installed now as well.
Next on the list are the screw terminals (CON5-CON8), RCA sockets
(CON1-CON4) and DC socket (CON9).
Fig.4: fit the components to the PCB as shown here. Watch the orientations of the ICs, diodes, LEDs, transistors & regulator.
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Silicon Chip
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Make sure the screw terminal openings are towards the nearest outside
edge of the PCB.
For the RCA sockets, we used white
for the left channel and black for the
right channel. Red sockets can be used
for the right channel sockets instead,
as this is the standard colour for the
right channel. However, at the time we
purchased these, the red sockets were
out of stock at Altronics and Jaycar
only sells black.
We sell red and white pairs on our
website at siliconchip.au/Shop/7/2615
because they can be hard to obtain at
times. Still, the colour is not absolutely
critical as you can tell which inputs
and outputs correspond.
There are two different values for
the trimpots, which are all standard
vertical adjust single-turn types.
VR1-VR3 and VR6-VR8 are 100kW,
while VR4, VR5, VR9 and VR10 are
5kW. These can be installed now. Be
sure to place the correct value in each
position. The 100kW trimpots may
be labelled with code 104 (10 × 104)
and the 5kW trimpots with code 502
(50 × 102).
The transistors, REF1 and the 12V
regulator (REG1) can be mounted now,
taking care to orientate them correctly
and not get them mixed up. Q1 and
Q4 are BC327s, while the remaining
transistors are BC337s. REF1 is in the
RIGHT IN
Once the assembly is ready, shrink
down the tubing with a hot air gun.
Make sure the LED and LDR leads are
orientated on the same plane. The LED
leads can then be bent over 180° to be
installed into the anode (A) and cathode (K) holes on the PCB, with the LDR
leads inserted into their corresponding holes (the LDR is not polarised).
Now insert the ICs into their sockets, taking care to match up their pin
1 indicators with the socket notched
ends. Also be careful not to mix up the
8-pin ICs as there are TL071, LM393
and 555s in the same package that need
to be placed in their correct positions.
Panel cutouts
If you are planning on installing the
Power Amplifier Clipping Indicator in
a UB2 enclosure, we have provided
a drilling guide diagram (Fig.7). The
height positions assume that the PCB
is on 25mm standoffs. If you prefer to
use a different standoff size, you can
move the holes up or down to suit.
Cable glands can be used to secure the
leads for LED2 & LED4.
Setting up
The Power Amplifier Clipping Indicator needs to be connected to a power
amplifier for setup (one that does not
have any tone controls or preamplifier). If you use a preamplifier, connect
LEFT OUT
RIGHT OUT
15-24V DC
LEFT IN
same type of TO-92 package as the
transistors.
Install the capacitors next. The
electrolytic types (in cans) need to be
orientated with the correct polarity,
and the 25V-rated capacitors must be
placed where indicated. An electrolytic capacitor’s longer lead is positive, so goes into the pad marked +.
The MKT and ceramic types can be
installed either way around.
LED5 can be installed horizontally with its leads bent by 90° so it
can shine through a hole in the side
of the case. The LED is positioned so
the top of the LED dome is 12mm in
front of the PCB edge and the centre
of the lens is located 5mm above the
top face of the PCB. When bending the
leads, make sure the longer anode and
shorter cathode are inserted into the
correct pads on the PCB.
The clipping indicator LEDs (LED1
and LED3) are intended to be wired
to two-way screw terminals, either
mounted onto the side of the enclosure
or remotely using figure-8 wire into a
hole in the amplifier or loudspeaker.
LED2 and LED4 are used in conjunction with LDR1 and LDR2. These are
within lightproof housings made from
20mm lengths of black 6mm diameter
heatshrink tubing with Blu-tack sealing out external light at each end. This
arrangement is shown in Fig.5.
Fig.6: you can download this front panel artwork from siliconchip.com.au/Shop/11/3623
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Australia's electronics magazine
May 2026 37
Fig.5: the LEDs and LDRs are sealed
in heatshrink tubes using Blu-tack at
each end so external light can’t get in.
The photos show this done for LED2
& LED4.
its output to the Power Amplifier Clipping Indicator input, and the audio
signal output from the Clipping Indicator to the power amplifier’s inputs.
Sometimes, the preamplifier and
power amplifier are separate units.
However, if you have an integrated
power amplifier with an input selector, tone controls and preamplifier
included with the power amplifier (eg,
a receiver), the preamplifier output
and power amplifier input will need
to be accessed.
These outputs and inputs are usually available. They are often joined
with a curved loop of 3.5mm diameter plated brass inserted between the
RCA sockets of the preamplifier output
and power amplifier input. Older units
may have a tape monitor (record monitor) loop that provides the same interconnection for the inputs and outputs.
Initially, set trimpots VR1, VR2,
VR4-VR7, VR9 & VR10 fully anti-clockwise. Set VR3 and VR8 fully clockwise.
Connect LED1 and LED3 to CON7 and
CON8 (temporarily if necessary).
You will need a source of 20Hz,
1kHz and 20kHz tones at around 1V
(RMS) AC. These can be obtained from
a computer, smartphone app or signal
generator. There are also CDs that have
audio tones for test purposes. Computer programs such as Audacity can
produce audio tones. The quality of the
output, especially at 20Hz and 20kHz,
will depend on the sound card/DAC
within the phone or computer.
Connect the signal source to the
Clipping Indicator inputs (CON1 &
CON2). Connect one channel, such
as the left, first. CON3 (CON4) goes to
the left (right) channel power amplifier input, while the power amplifier
output goes to CON5 (CON6), using
the non-inverted input for most amplifiers, or the inverted amp input for
amplifiers that invert.
For BTL amplifiers, only connect
one of the outputs at a time, setting up
each output individually first before
changing the 10kW resistors to 20kW.
With everything powered up and a
1kHz signal applied, adjust the power
amplifier so there is a normal listening volume level, ensuring it is not
clipping. The clipping LED will be
lit because the trimpots haven’t been
adjusted yet. Now adjust the relevant
trimpot, VR4 (VR9) or VR5 (VR10),
carefully until the clipping LED extinguishes. Try to find the middle of the
pot range that allows the clipping LED
to remain off.
Now set the audio signal to 20kHz
and adjust VR2 (VR7) so the clipping
LED goes out. Again, find the middle
of the suitable range if you can. In the
unlikely event that you can’t adjust
the trimpot so the LED goes out, the
22pF capacitor for the left (right) channel may need changing. Use a smaller
capacitor if VR2 (VR7) is wound fully
clockwise.
Next, set the audio oscillator to 20Hz
and adjust VR3 (VR8) so the clipping
LED goes out. If you can’t get the clipping LED to go out when VR3 (VR8)
is fully clockwise, the 1μF capacitor
for the left (right) channel will need
to be larger. This is a non-polarised
(NP) capacitor. It’s unlikely that you
will need to change this value, though.
Now repeat all the same adjustments
for the other channel.
Adjusting the automatic attenuator
(using VR1 for the left channel and
VR6 for the right channel) is best done
with the loudspeakers disconnected.
Apply a normal music signal and wind
up the volume until it starts clipping,
as indicated by the LEDs. Adjust VR1
and VR6 so that the signal attenuates
just enough to stop clipping, except
for occasional momentary flashes from
the LEDs.
After that, if you want, you can test
with the loudspeakers connected and
make adjustments for the best clipping
reduction. Take care that you don’t
damage your ears while doing this –
wear ear protection. If you’re using
high-efficiency loudspeakers and a
high-power amplifier, you may need
SC
to skip this step!
Fig.7: the drilling diagram for the sides of the UB2 jiffy box (197 × 112 × 63mm). This diagram is printed at 60% of actual
size and all dimensions are in millimetres.
38
Silicon Chip
Australia's electronics magazine
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