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Vintage Radio
The Reinartz 2 TRF receiver from
Electronics Australia
Just over 100
years ago, John
Reinartz was
the consummate
radio designer.
He was brilliant
and his circuits
put many amateur
radio enthusiasts
on the air. His
innovation opened up
shortwave as we know
it to general use.
By Philip Fitzherbert & Ian Batty
R
einartz’s publication, “The Reflection of Short Waves”, put forward theories that contradicted the
academic teachings of the day. Those
theories are now proven scientific fact.
He was the first person to plan and
take part in trans-Atlantic two-way
communication at 100 metres (3MHz).
He is also credited with contact from
the US to England, and from the US
to Australia, both for the first time,
using 20 metres (15MHz). This was
an incredibly short wavelength for
the time.
In the very early 1920s, Reinartz published a circuit for a two-valve receiver,
a TRF circuit with adjustable feedback,
which was published in the American
Radio Relay League’s QST magazine,
in the June 1921 edition. It was later
updated for the March 1922 edition.
Reinartz went on to head up the
US Navy Radio and Radar Laboratory
during World War 2. He held many
patents, but never profited from any of
them. Reinartz was honoured by many
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Silicon Chip
organisations in his lifetime; he was a
real pioneer of early radio.
Fast forward to July 1984. Interest in early radio circuits was fairly
strong and Electronics Australia published an article by David Whitby on a
receiver based on Reinartz’s. This used
parts available in 1984, as opposed to
its 1920s forebears, although some of
them (like the valves) were already
obsolete at the time, being available
only as ‘new old stock’ (NOS).
The kit was manufactured by Technicraft of Katoomba, NSW, and sold by
several outlets.
The unit was designed to look and
feel like a set from the 1920s. It is built
on a timber baseboard with a circuit
board screwed to it (not a printed circuit board). It has sockets for the valves
and the plug-in spiderweb coils. It
carries connection points for headphones, aerial, Earth and other necessary voltages.
The baseboard is pre-drilled,
and instructions for assembly are
Australia's electronics magazine
provided. The baseboard was unfinished as supplied, but normal staining,
polyurethane gloss coating and much
sanding gives a very pleasant appearance on which to build the receiver.
Circuit details
The full circuit is shown in Fig.1; it
is based on Reinartz’s design. The set
uses the 200pF section of a double-
gang tuning capacitor to tune the main
winding of the plug-in coil. It uses
what was called a ‘leaky grid’ regenerative detector.
The antenna tuned circuit feeds to
the grid of the first VT50 valve (V1).
From the anode of the VT50, the second (90pF) section of the tuning capacitor forms the basis of the regeneration. This arrangement gives some
regeneration circuit ‘tracking’, so you
don’t have to continually fiddle with
the reaction as you tune to different
frequencies.
The reaction control is fine-tuned by
a Philips “Beehive” trimmer capacitor
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Fig.1: the Reinartz-derived radio receiver circuit from Electronics Australia, July 1984, page 54. Capacitances are in
microfarads (μF) unless otherwise stated, similarly resistance is in ohms (W).
in series with the reaction coil, which
is thus able to control the RF current
through the coil. Adjustment of the
capacitor provides precise control
of the amount of positive feedback
(regeneration).
The physical layout here is interesting. The trimmer is fitted horizontally
on the circuit board. Its top is connected to a threaded shaft, which exits
via the front panel. This is a very clever
use of modern parts, which I’m sure
would have appealed to John Reinartz!
This set’s circuit follows the later
March 1922 outline. It added a second valve to give better matching to a
set of headphones. This is described
further below.
L3 is an RF choke that prevents loading of the regeneration system by the
following stage(s). It also operates in
conjunction with bypass capacitor C5
to prevent RF currents from passing to
the output stage. An RF choke in this
position was always a feature of the
Reinartz sets.
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The VT50 medium-μ triode is an
ex-RAF (UK) disposal item, designed
in the 1920s. First manufactured in
the USA in 1924, it is identical to the
HL2K.
The second valve, again a VT50,
gets its drive via C6 into the grid of
the valve, which is used as an audio
amplifier for driving the headphones.
The original circuit allows a choice
of values for demodulator load R2 and
output grid return R3. As built, these
were 100kW and 1MW, respectively.
How good is it?
For any two-valve set to give 1mW
of output with just 5mV of signal
in is pretty impressive. While 1mW
doesn’t sound like much, it’s loud for
headphones. For ordinary listening,
the level would be in the hundreds of
microwatts range.
The set tuned from the middle of the
broadcast band at 1.05MHz, up past
the 180m Ham band at 1.75MHz, and
up to 2.7MHz.
Australia's electronics magazine
Tuning was affected by the antenna
– no surprise, as it connects directly
via C1 onto the stator of the main tuning capacitor, C2a.
The best sensitivity was gained at
2.5MHz. This gave 1mW of output
with full regeneration for only 5mV
input with 400Hz modulation. The
RF bandwidth, for a 3dB drop-off, was
about ±500Hz (really!).
With no regeneration, it spread
out to ±177kHz, and needed around
140mV of RF input to give the 1mW
audio output. This implies that regeneration increases the demodulator’s
stage gain by around 30 times. It’s the
equivalent of another HL2K running
at full gain.
Take your pick: you can have great
sensitivity with a signal that sounds
like it’s coming through a drainpipe,
or the channel just next to your station
(possibly more than one!).
With moderate regeneration, the
audio response was -3dB down at
2.5kHz. I should mention that the
October 2025 95
Photos 1 & 2: the top view of the set with the reaction control in the centre
highlighted is shown here, while the wiring hidden under the base is shown in
the photo at lower right – it couldn’t be much simpler!
low-frequency cutoff is 22Hz (really,
again). With only one coupling capacitor, it shouldn’t be surprising that
the demodulator’s low-frequency
response is so dramatic.
Time to tune in to Beethoven’s Ode
To Joy and experience the bass fiddles
in their full glory. You will need a good
set of earphones, though.
At its best performance, 5mV input
for 1mW output at 2.5MHz, the RF
stage is delivering some 1.2V of audio
to the output grid at maximum sensitivity. That implies that the RF stage
gain is 240 (1.2V ÷ 0.005V). Not bad
for a triode with an intrinsic gain (μ)
of just 27 times.
But the audio stage, for 1.2V input,
Fig.2: the output voltage of an ideal
triode is μ × Vg, ie, μ times the input
signal voltage (Vg). However, the
intrinsic resistance of a real triode
(Rp) forms a voltage divider with the
load resistance (Rl), reducing the
magnitude of the voltage applied to
the load.
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Silicon Chip
only delivered about 1.4V to the headphones, a gain of just 1.2. That’s only
just more than unity. We can do better.
The model for a triode is a voltage
generator with an output of μ × Vin.
But the generator has an internal resistance, Rp, which is in series with the
load resistance, Rl – see Fig.2. The
stage gain – and thus the output voltage – will depend on the relative values of Rp and Rl, using the triode voltage gain formula:
The μ of the HL2K/VT50 is 27 at a
specified anode current of 3mA and
anode voltage of 100V. With the load
as a pair of 2kW headphones, Av is
theoretically about 2.
The difference between the measured and calculated gain is easily
explained; the HL2K’s Rp is quoted
at 18kW, but that’s only for an anode
current of 3mA.
This circuit’s lower anode current
of about 1mA increases Rp, so its
increased series resistance means even
less voltage across the headphones’
2kW impedance. A quick back-of-theenvelope indicates an effective Rp of
around 40kW.
So, why bother with the second valve at all? It’s a question dating back to Lee de Forest’s low-gain
Audions, with a μ value less than
5. Still, the Audion’s low output
impedance allowed it to drive
a transformer. Using a primary-
secondary step-up in the transformer
allowed the stage to develop substantial power gain, with the Audion itself
needing virtually no driving power
into its grid.
The first valve needs a load impedance of 50~100kW to give useful voltage gain. Shunting that with headphones would drastically cut the
stage gain, so the second valve’s main
function – as originally designed –
is to present virtually no loading to
the first valve, thereby allowing the
demodulator to develop its full potential gain.
But a stage gain barely more than
unity? Raising the load impedance
would increase the second stage’s gain,
so I switched my Marconi TF8793A
wattmeter up to a 20kW load impedance.
With that, I got a voltage gain
of around 6.6, increasing the set’s
Fig.3: a redrawn version of the circuit from Fig.1. Resistors R2 & R3 can be a
range of values as shown in Fig.1.
Australia's electronics magazine
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intage Radio Collection
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sensitivity to under 1mV of RF input
for 1mW out.
This higher impedance could be
provided by a suitable 3:1 audio transformer, making the 2kW headphones
appear as a 20kW load to the valve.
This would also give better fidelity at
full volume. The HL2K’s low anode
current had it clipping at 1mW output
with the 2kW load, while the 20kW load
allowed a visually perfect sinewave of
around 4.5V peak-to-peak to develop
the 1mW output.
Considering that a 1mV RF signal, modulated at the standard 30%,
contains only about 0.3mV of audio,
it looks like the overall gain from
antenna terminal to output is around
15,000 times (4.5V ÷ 0.0003V). Beat
that!
We noticed one peculiarity in the
design: neither of Reinartz’s two
original circuits (like the March
1922 QST circuit) include a resistor
from grid to ground for the demodulator, or any other form of biasing.
This omission had frustrated Lee de
Forest’s application of the Audion
at audio frequencies, and was remedied by Lowenstein’s 1917 “Grid
Bias” patent.
Considering Reinartz’s formidable
engineering skills, this omission cannot be a mistake. We sense a mystery
lurking in this simple design. Perhaps,
dear reader, you can help us out.
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A final note; the HL2K/VT50 uses
the “British” B4 base (Fig.4). This has
pin 1 offset to provide indexing, unlike
the American UX4, which has two
large and two small pins (the follow-on
B5 adds a fifth pin in the centre).
The B4’s numbering is unusual, with
pin 1 opposite pin 2, then pin 3 opposite pin 4. While it’s not obvious from
the circuit diagram, this method places
the anode and grid connections opposite each other, with the filament connections (at RF/audio ground) between
to provide some shielding.
The UX4 places anode and grid adjacent to each other, with an increased
possibility of undesirable output-
SC
input coupling and instability.
Fig.4: the B4 valve base has pins
1 & 2 offset from the centre, so it
can only be inserted one way, even
though all four pins are the same
size.
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October 2025 97
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