Silicon ChipWhat is Negative Feedback? - July 1988 SILICON CHIP
  1. Outer Front Cover
  2. Contents
  3. Publisher's Letter: The widening scope of activity for electronics enthusiasts
  4. Feature: Amplifier Headroom: Is It a Con? by Leo Simpson
  5. Vintage Radio: Checking and repairing the valves by John Hill
  6. Review: Amcron MA-1200 Power Amplifier by Bob Flynn
  7. Feature: The Way I See it by Neville Williams
  8. Project: Booster for TV & FM Signals by Branco Justic
  9. Serviceman's Log: Sounding out a video recorder by The Original TV Serviceman
  10. Project: Studio 200 Stereo Control Unit by Greg Swain & Bob Flynn
  11. Feature: National Semiconductor's LM833 Op Amp by Leo Simpson
  12. Project: Build the Discolight by John Clarke & Leo Simpson
  13. Feature: Amateur Radio by Garry Cratt, VK2YBX
  14. Feature: What is Negative Feedback? by Bryan Maher
  15. Project: Tone Burst Source for Amplifier Testing by Leo Simpson & John Clarke
  16. Feature: The Evolution of Electric Railways by Bryan Maher
  17. Subscriptions
  18. Market Centre
  19. Advertising Index
  20. Outer Back Cover

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Articles in this series:
  • Studio 200 Stereo Control Unit (June 1988)
  • Studio 200 Stereo Control Unit (June 1988)
  • Studio 200 Stereo Control Unit (July 1988)
  • Studio 200 Stereo Control Unit (July 1988)
  • Modifying The Studio 200 Amplifier (January 1990)
  • Modifying The Studio 200 Amplifier (January 1990)
Articles in this series:
  • Build the Discolight (July 1988)
  • Build the Discolight (July 1988)
  • Building the Discolight, Pt.2 (August 1988)
  • Building the Discolight, Pt.2 (August 1988)
  • Dimming Controls For The Discolight (October 1990)
  • Dimming Controls For The Discolight (October 1990)
Articles in this series:
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Articles in this series:
  • What is Negative Feedback? (April 1988)
  • What is Negative Feedback? (April 1988)
  • What is Negative Feedback? (June 1988)
  • What is Negative Feedback? (June 1988)
  • What is Negative Feedback? (July 1988)
  • What is Negative Feedback? (July 1988)
  • What Is Negative Feedback? (September 1988)
  • What Is Negative Feedback? (September 1988)
Articles in this series:
  • The Evolution of Electric Railways (November 1987)
  • The Evolution of Electric Railways (November 1987)
  • The Evolution of Electric Railways (December 1987)
  • The Evolution of Electric Railways (December 1987)
  • The Evolution of Electric Railways (January 1988)
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  • The Evolution of Electric Railways (January 1989)
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  • The Evolution of Electric Railways (January 1990)
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Pl.3: Negative feedback and frequency response WHAT IS NEG~I'IVE This month we look into why open loop amplifiers suffer poor frequency response and we investigate how negative feedback increases the bandwidth. By BRYAN MAHER Analog amplifiers form such an important part of electronic circuitry, that we find them in almost every piece of equipment. Though many signals may be digitized these days, you will always find linear amplification being performed. For example, the ultimate hifi capabilities of CD players can only be .realised by using high quality amplifiers in the final stages. Though feedback concepts can be applied to almost anything electrical, mechanical, hydraulic or others - our interest here is in electronic systems only. So let's start at the beginning, with an (allegedly) linear electronic amplifier without any feedback at all. Frequency dependence Last month we made the bald +15V statement that the open loop gain of an amplifier is different at differing frequencies. Why is that so? All open loop amplifiers have reduced gain at the high end of the frequency range and possibly at the low end too. First, let's look at the reasons for such loss of gain, then we can investigate how negative feedback improves the situation. Fig.1 shows a simple "linear" amplifier stage. We call it "linear" simply to distinguish it from deliberately non-linear digital or logic circuits. By "linear circuits" we mean those with an output voltage which is supposed to be an enlarged but otherwise identical copy .of the input voltage waveform. Strictly we ought to say " roughly linear" because we know that all simple amplifiers have output voltages which are a distorted larger version of their input voltages. Last month, we told the story of an enthusiastic young lady called Krystie who had built a simple transistor amplifier to play her favourite music. But the results were disappointing. The amplifier not only exhibited excessive distortion but the frequency range was also much less than expected. In fact, the high and low frequency notes were so weak they could barely be heard. At this point we can find out how negative feedback can be an almost magical cure for all amplifier ills. Looking again at Fig.1, let us consider in detail what should be happening at each point in the circuit and what is actually happening. First, the signal source (CD player, tape deck or whatever) generates some signal V(in), which we apply to the input, and we expect that same signal waveform V(in) to appear at the base of the transistor. And it does too - more .or less. But why isn't the signal on the base identical to the input? Well, we observe that the signal V(in) has POSITIVE RAIL hreor==----------.:::-----r 1 hreo-3dB-r------------~ .Flg.1: this simple common-emitter amplifier bas no negative feedback .and suffers from harmonic distortion and deficient low and ·high (requency response. 70 SILICON CHIP h r e = 1 - - - - - - - - - - - - + - - - - - -- ---l<- LOG FREQUENCY Fig.2: all transistors suffer from loss of gain at high frequencies. At a really high frequency, FT, the gain drops to unity. FEEDBACK? to pass through Cl which has an appreciable impedance, so there is inevitably some signal loss in Cl. The effect is worse at low frequencies. But by making Cl sufficiently large, up to 1.0µF, very little low frequency response is lost. DC coupling? Why not just DC-couple the whole thing? DC coupling means using no coupling capacitors at all, and indeed that is the ideal. Circuit gain remains undiminished no matter how low the frequency, right down to OHz (ie, DC). But there are drawbacks to DCcoupling right from the input terminals, so common practice is to employ only one coupling capacitor, Cl right at the input. Thereafter, most feedback amplifiers are DCcoupled throughout. Now what about high notes? Why is the simple amplifier also deficient in the top frequencies? There are two main causes and again Fig.1 gives us some answers. Loss of hre Last month we made some comments about the way the hre or current gain of any transistor chang~s at different collector currents and at different temperatures. But current gain is also different at various frequencies. At a constant collector current and room temperature, the hfe holds constant right down to DC. (It may even be a little higher at DC for the secondary reason that large steady DC currents tend to heat the transistor junction more than AC currents of the same peak value). However, at high frequencies the value of hre decreases as shown in Fig.2, and at some very high frequency called fT the value of hre has dropped to 1.0. On the curve Fig.2 we define another point fhfe, the frequency at which the hre has fallen to 0. 707 of the DC value. If the frequencies of interest extend up to fhfe or beyond, the current gain of the transistors will reduce, hence the circuit gain must be less than it is at low frequencies. In practice, we never use transistors anywhere near their upper frequency fT; that frequency is quoted in transistor data sheets only to enable us to draw the curve Fig.2. True, we could go out and buy different transistors having higher values of fhfe and fT, and that is a good idea for the small "front end" transistors in an amplifier. But high frequency large power transistors cost a fortune, so we have to make do with lower frequency types in power transistors. Shunt capacitances Though Fig.1 is all you see if you look at the physical circuit of such an amplifier first stage, there are many "stray capacitances" all around the circuit, which we show dotted. These are due to the natural effects of capacitance which exists between all separated conductors and semiconductors. As well as the stray capacitance Cs from wiring and components to ground, there is the base-emitter capacitance Cbe in the transistor itself. Also there is a capacitance Cm from the transistor's collector back to the base. This Cm is called the "mutual" or the "Miller" capacitance. Cm is the most important of the stray capacitances. It is due to the. collector-base capacitance Ccb, but as the voltage across it is the input voltage plus the stage output voltage, the capacitive current flowing is equivalent to it being much larger capacitance Cm, where Cm = Ccb(l + A), where A is the stage gain. The total input capacitance Cin is the sum: Cin = Cm + Cs + Che· The source resistance (in parallel with Rl and R2) forms a low-pass filter with Cin, reducing the amplitude of high frequency signals. This happens in every gain stage of an amplifier. But there is more. At the output side of the transistor stage we have a number of parallel paths: (1). The equivalent collector output resistance. (2). The collector-emitter capacitance. (3). The collector load resistor. (4). The input resistance and input capacitance of the following stage. (5). The wiring stray capacitance. Those capacitances tend to reduce the high frequency response of the stage, but the lower the parallel resultant of the resistances mentioned the less this reduction. Therefore, while higher collector a r------------+15V y. STAGE 2 STAGE 3 STAGE 4 a--+--- OUTPUT RA FB Fig.3: this four-stage amplifier, with all stages identical to Ql, has negative feedback applied via RA from the output back to the emitter of the first stage. JULY 1988 71 - - - - - - - -- T = 100 - -- -- - - - - i ERROR SIGNAL E Vln 1DmV X DIFFERENCING ACTION BETWEEN BASE ANO EMITTER VOLTAGES K ,___o_F _sT_AG_ E 1_ _ r •---G = 10000-----•-1 \E ...------, 1 __,____ _ _ STAGE 1 - GAIN OF STAGE 1 FB --- y STAGES 2,3,4 i---+---ouwT r- :7 I I I Kl I I : RB t-H R Some names = 1/101 L _.,._I Fig.4: this is a block diagram of the four-stage amplifier shown in Fig.3. RA and Re set the proportion of the output voltage fed back to input K. load resistors may result in higher low-frequency gain, they also cause the gain to drop off badly at higher frequencies. As most amplifiers have two or more stages, the reduction of gain at higher frequencies will occur in every gain stage. The Miller capacitance will have its greatest effect in the front end high-gain stage (because stage gain A is high), while the frequency dependence of hre will be responsible for the poor high frequency response in the final high-power stage (because fT is low). Enter negative feedback Fig.3 shows the outline of a fourstage amplifier where Ql and its sundry components form stage 1. Each stage is inverting, meaning that positive-going inputs produce negative-going outputs, but four stages of phase-inversion result in overall non-inversion; ie positivegoing signals at X result in a positive-going output at Y. In previous episodes we showed some negative feedback block diagrams. Now in Fig.3 we show one possible way to actually apply the feedback voltage from the output back to the input stage. Input signals from the voltage source applied at X naturally increase the output voltage. But you will recall that the negative feedback must be applied In applying negative feedback to our whole amplifier we have reduced its voltage gain. But as we will see, we have improved the amplifier's characteristics in about the same proportion as the reduction in gain. to the front stage in such a way that the feedback voltage reduces the output. As you probably know, a positivegoing signal at X causes an increase in Ql 's collector current, which in turn produces greater voltage drop across R3, hence greater stage output at the collector. In Fig.3, resistors RA and RB form a voltage divider across the stage 4 output, from Y to ground. Do not be confused by the presence of R4, as it is bypassed by C2. The impedance of C2 (at all audio frequencies) is much lower than the resistance of R4, hence there is little or no signal volt~ge drop across R4. As far as AC signal voltages are concerned, point W (junction of RB and R4) is at ground or zero potential). Hence at the emitter K of transistor Ql we have applied some feedback called "FB", a signal which is some fraction of the output voltage. Let us call that fraction "H". So the fraction H will be given approximately by: H = RB + (RA + RB) K is the point where we have applied feedback signals to the emitter of Ql, and you will observe that we now have a "closed loop system" from Ql collector C, through stages 2, 3 and 4, to Y, through RA, back to K, through transistor Ql to C. (1). The gain of the whole amplifier (measured from the input terminal X to the output terminal Y) before any feedback is applied is called the "Open Loop Gain". This is given by the symbol "G". (2). The gain of the whole amplifier (measured from X to Y) with feedback applied is called the "Closed Loop Gain". This has the symbol ''T''. (3). Because of negative feedback, T is always smaller than G. (4). The fraction of output used as feedback is called "H" In Fig.3, H = RB + (RA +, RB). (5). The feedback signal derived from the feedback voltage divider H is (naturally enough) called "FB". FB is simply equal to H x Output. (6). The gain around the loop (from C through stages 2, 3, & 4 to Y, through the voltage divider to K, and through the transistor gain back to C) is called the "Loop Gain". As the Loop Gain is clearly the product of G and H, we simply refer to the Loop Gain as "GH". (7). The input signal at X is to be amplified. So we would like the output signal at Y to be an enlarged replica of the signal at X. (8). As the feedback signal at K is a smaller copy of the output signal at Y, by (6) above we would want the signal at K to be exactly like (but a little smaller than) the input signal at X. If it is, we have succeeded. If not, then we ask the circuit to take corrective action. (9). The difference between the signals at X and at K is called the "Error Signal". This is given the symbol "E". (10). It is the error signal E which is amplified by the amplifier. (11 ). As the error signal is small, we The difference between the signals at X and K is the error signal and it is this signal that is amplified by the amplifier. 72 SILICON CHIP ---ET-----, T = 99.99 Vln 10mV -----T = 99 - - - - - - , 6 = 10000 ----OU11'11T E = Yin - FB 999.9mV E = 0.09999mV _ _ __, K r-RA -1 I FB FB = Y/101 = 9.90000991nV 10k E K I I I 1 r,-.H = 1/101 6 = 5000 ' E = 10mV - 9.80199mV E = 0.198mV r; 10k I -1 I I 11~!0 L_..:...J will need considerable gain in the amplifier. Fig.4 is a block diagram of the circuit of Fig.3. In Fig.4 we have split the action of the first stage Ql into its two functions: (a) The differencing action between the input signal at X (the base) and the feedback signal FB at K (the emitter); and (b) The action of transistor Ql which (as in all transistors) amplifies the difference between the signals at base and emitter. Also we have labelled Fig.4 to point up three facts: (1). It is the error voltage E (not the input voltage at X) which is multiplied by the amplifier gain G. (2). H is simply a fraction, set by the voltage divider ratio. (3). FB is a signal which is some set fraction of the output signal. So just how does all that jazz cure amplifier ills? One thing at a time, please. Consider first the poor response to high frequencies we noted earlier. If, for any reason, the output is not be as high as it should be, then the feedback will be smaller. This means that less will be subtracted from the input signal in forming the error signal E, so E will be a bit larger. This will increase the output to (nearly) the right signal level. Keeping the same amplifier circuit, we redraw Fig.3 and Fig.4, grouping parts of similar function, giving us the simpler Fig.5, where we have written a possible set of conditions; ie resistances of RA and RB, together with gains, and voltages which might be measured 990mV FB I FB = 990mV/101 = 9.801999mV I I ·Fig.5: the signal E, which is the difference signal applied between X and K, is multiplied by 10,000 to give the output signal. Note that Vin is relatively large but signal E is extremely small. ____ Y--OUTPUT I I I I 188 RB Yin 10mv---"' I I 1-H = 11101 L_...:_I Fig.6: even though the open-loop gain of the amplifier has dropped to 5000, the negative feedback ensures that the output signal is still very close to 1 volt by making the difference signal E larger. in a typical four-stage amplifier at low and middle frequencies. Low and middle frequencies We have chosen the amplifier open loop gain G = 10,000, as four stages each having various gains could easily multiply up to that figure. We choose the following values as typical for such an amplifier: input voltage V(in) = lOmV; RA = 10k0; .RB = 1000; G = 10,000 (at low/middle freqencies). From these values we can calculate that: H = RB + (RA + RB) = 100 + (10,000 + 100) = 100 + 10,100 = 0.00990099. Alternatively, 1/H = 101. By this means we can calculate signal voltage values all around the circuit. Without all the calculation details, we have written the results on Fig.5, so if you don't want to bother with calculations, just look at the diagram. Fig.5 shows that at low and middle frequencies, the gain stages of the amplifier give an open loop gain G = 10,000. (a) An input of lOmV gives an output of 999.9mV, so the closed loop gain T (measured from input X to output Y) is T = 100 (approx). (b) The feedback network divides the output by 101 to give a feedback voltage FB = 9.9mV (approx), which is subtracted from V(in) to give an error signal E = 0.099mV (approx). This is multiplied by 10,000 to give an output V(out) = 999.9mV. At high frequencies we must ex- pect the gain G of the amplifier to be less than 10,000 (because of the shunting effect of stray capacitances, the Miller capacitance and the fall-off in hre at high frequencies as discussed earlier). At some high frequency, the open loop gain G could be down to half; ie, G = 5000. For this condition, as illustrated by Fig.6: (c) The same input V(in) = lOmV gives an output of 990mV, so the closed loop gain (measured from X to Y) is approximately 99. (d) The feedback divider fraction is not subject to frequency, so H still divides the new output by 101, giving a feedback voltage FB = 9.8mV (approx), which is subtracted from V(in) to give an error signal E = 0.198mV (approx), which multiplied by the reduced value G = 5000 gives the new output V(out) = 990mV. (e) We observe (with joy) that even though the gain stages only had half gain (G = 5000 at high frequencies), we still found an overall gain only 1 % down (T = 99) at high frequencies; ie, T = 990mV + 10mV = 99. Conclusion From all the above we conclude that negative feedback automatically compensates for at least one amplifier shortcoming; the fact that the open loop gain falls at high frequencies. What about those other deficiencies, like distortion, hum and noise?. Can it be that negative feedback will cure those ills too? That will be our topic for next month's episode.~ ]ULY 1988 73